Envelope and inverse envelope enable dynamic flanging and pitch bent delays. There are two random waveforms for glitchy pitch jumps, wow and flutter, and broken tape deck effects. The Raster’s modulation section has seven waveforms that can be assigned to delay time, pitch shift, or effect level (for tremolo). It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart.
At subtle settings, repeats evolve in a way that sounds natural, but different from analog delays.īeyond pitch shifting, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging. The left and right channels can be shifted by the same amount, a ratio, or opposite directions. The detune setting can dial in micro pitch shifts and chorused repeats. Pitch shifting repeats up or down in semitone steps creates tempo-synced arpeggios and alien organ sounds. The two delay channels can be arranged in series, parallel or ping pong. The left and right delay times can be set as a ratio, so a single knob changes both in sync. A tone control sweeps from dark analog-style repeats to digital clarity and emphasizes the attack at higher settings. Knob responses are carefully tuned for exploration of self-oscillation and feedback on the verge of blowing up. The feedback control has infinite repeats at 3 o’clock and chaotic, textured feedback loops at higher levels. Three delay ranges allow you to precisely dial in resonant feedback sounds and instantly change delay time with rhythmic shifts. The core of the Raster™ is a clean delay with up to 1600 milliseconds of delay time. It delivers a wide range of sounds including modulated and harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes. Forward or reverse delay can be shifted once or have continuously shifted repeats. Like I said, what I use it for are delays that swell in when chords die out (pre-dirt) and random chorus sounds, and phasing/flanging.The Raster™ is a digital delay with a pitch and frequency shifter integrated into the feedback loop. These sounds aren't what I use it for either, but it's a really good showcase of what it's capable of. I suggested to them that preset+wave button combo be a secondary function reset tho. Yeah, you can def do a blank slate preset. Re-the reset button: the first solution that pops in my mind is to save a "simple" preset and use that as a starting point / reset point when thing gets too messy with secondary function? I didn't watch the one you posted but I watched the 2hrs one and, while the sounds are thousands of miles away from what I want to do with it, it helped a lot understanding the way it operates, especially with the various parallel/sequential delays with independent controls and relative LFO assignments. Posts: 7259 Joined: Fri 5:55 pm Location: heart of danknessĭowi wrote:Got mine today but still haven't had time to plug it in, can't wait for tomorrowĪlso, for a weird turn of events I'm gonna end up with two of these in a week or so (one is a substitute for another thing I bought and returned) so if some ILFer wants one hit me up, 300€+shipping and it's yours. I have never liked chorus btw so I think that’s saying something too. My slight wish here was for the rate knob to change the slew/speed of the envelopes, right now it’s a set speed.
With a dirt after it it’s a cool way of getting all your note attack and clarity in but as the chord sustains you start getting echoes. The envelopes on the amplitude are crazy having only delay/effect when playing, or vice versa only effect coming in once you stop playing. It’s difficult to keep these in your head and knowing why shit is sounding crazy right now. It’s working out quite well but I’ve sent an email seeing if red panda could add a reset button combo for resetting the second valued (left/right stereo stuff). And a dirt in front for using regular delays. I sandwiched it between two dirts so I can get those heavy octave down sounds with a dirt after it, or those distorted delay sounds. I’m using mine for octave down sounds or random chorus (with some phasing) right now, and really digging it. Even though they’re not very comparable, this feels like it fills the spot of a bitquest quite well.
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